The Janest of Janes

an essay from 2006 about the inspiration behind Margarettown 

US

I began writing Margarettown at the end of 2003 not long after I had finished my first novel, Elsewhere. I didn’t necessarily think I’d want to be writing another novel so soon, but Margarettown was such a good baby. She was easy. Tears never lasted long, and she rarely complained. She always slept through the night and never threw food across the room. When I smiled at her, she always smiled back.*

In a rare experience for me, I can remember exactly what I was doing when I came up with the idea for the book: I was reading Anne of Ingleside. From the ages of ten through thirteen, my favorite novel was Anne of Green Gables by L.M. Montgomery. In addition to Anne of Green Gables, there are seven other books (and a handful of short stories), which follow Anne Shirley from the age of twelve through college, career, engagement, marriage, motherhood. As a girl, I loved to read the first book, but my interest always waned substantially by about book five. I never was able to finish books six, seven, or eight.

UK

In finishing Elsewhere, I decided to revisit Anne of Green Gables for the first time in about ten years. (Elsewhere, although it has a somewhat extraordinary setting, is a traditional coming of age tale like Green Gables, and I have always found it enormously helpful to focus my reading** when I am writing.) After finishing Green Gables, I decided that I would tackle the whole series.

As I was reading this time, it struck me that the Anne of book one (the chatty orphan) was an entirely different person from the Anne of book three (confident college girl) or the Anne of book six (a married woman and mother). These differences may explain my chronic inability to finish the series—as a girl, I wanted to read the adventures of a girl. When Anne was no longer that girl, I, as a young reader, was no longer interested.

At the beginning of book six, Anne of Ingleside, Gilbert Blythe, Anne’s husband, says to her after she has returned from a trip to her girlhood home, “’To come back at the end of a hard day and find you? Are you happy, Annest of Annes?’” I was half-asleep when I read this (I like to read before I go to bed), but I immediately sat upright and wrote the phrase down. It was this phrase (“the Annest of Annes”) that was the starting point for Margarettown. And if you’ve read the book, you’ll recognize this from the part in the book where N. addresses Jane as the “Janest of Janes.”

Korea

The truth is, I’d started playing with the idea of “woman-as-many-women” long before that. One of the first plays I ever wrote in high school was called Fugue for Seven Madwomen. That play was about a woman who has a bunch of friends over for lunch, but it turns out that her friends are versions of her. And if you have seen the movie I wrote, Conversations with Other Women, you’ll probably notice some shared themes between Margarettown and Conversations, too.

But back to Margarettown: it had an easy road to creation and sale followed by an extremely bumpy publication—this is a deeply uninteresting story, so I won’t bother to tell it.*** The first review was from the notoriously prickly Kirkus and it was starred; the second review was a roundup in the Washington Post and it was a total slaughter. The Washington 

Australia

Post started with the highly amusing line, “Gabrielle Zevin wants to mess with your head,” and it was downhill from there. All this was an excellent and early object lesson in not investing too much in reviews one way or the other. This seems to be a lesson I have to keep relearning. In any case, I knew when I was writing Margarettown that it wasn’t necessarily a book for everyone and, at the risk of sounding like the lady who doth protest too much, I was reasonably okay with that.****

I’m currently writing a screenplay of Margarettown for an amazing New York City production company, This Is That. They also produced Eternal Sunshine of the Spotless Mind and 21 Grams.*****

———-

NOTES – JUNE 2013

Germany

*Novels for adults tend to publish on a slightly faster timeline than novels for young adults and children. Margarettown was written after, but published three months before Elsewhere. Either book can be referred to as my first novel.

**By “focus my reading,” I mean to read books which have solved problems that I may be having. This usually involves re-reading. It does not necessarily mean that I am reading books “like” mine or even in the same genre as mine.

***Briefly, the publisher shut down in the middle of the book coming out.

Spain

****Honestly, 2006-era Gabrielle, you ARE protesting too much. These were the first reviews you’d ever gotten. Of course you were upset. I don’t mention it in this essay, but the third or fourth review was in the Fort Lauderdale Sun-Sentinel, which was a newspaper I had worked for as a teenager. And boy, did that reviewer hate it! He said he wanted to “throw the book across the room.” Good times.

*****I did write this screenplay, and a very famous actress almost played Margaret, too. As is often the case, the movie never happened.

One Reply to “The Janest of Janes”

  1. I absolutely loved Young Jane Young and am about to start on the rest of you books in chronological order. I bought the book following a review in The Times. All aspects of the writing I inhaled but can honestly say I’ve never come across such an evocative description of being large chested. At the age of 40 having endured an assault by a group of boys at the age of 11 followed by years of feeling out of proportion(I’m 5ft tall with 25″hips) and wearing huge bras I paid for a reduction. Although it hasn’t dominated my life thank you for your writing. Brilliant work and would die to have your talent. Katharine

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